çümbülêr
And way more here.
According to the IEEE Computer Society, Computer has been their flagship publication for over 40 years. Out of the entire run, most of the late 70′s and early 80′s covers had the best art direction by a country mile. I wrangled a bunch of them over here to share, but you can see view all the back issues in their entirety on the IEEE Website.
src: swivelarms
/ Computer magazine Da Vinci 1975 70s graphic design Illustration IEEE vintage = the tags / Sep 4 th Tue = the permalink. / sandinlungs = the source / reblogged from : everythingthatis-isanstatement : no god, only pizza /
My teapot ( a derivative of the Utah teapot ). 3D printed by an Ultimaker.
Sliced in Cura.
The re404 Teapot at 24H FABFEST, Protospace, Utrecht.
Some statistics:
- 614 kb of gcode for lid / 4.3 MB of gcode for pot.
- 1.5 hrs of printing for lid / 12.25 hrs of printing for pot
- about 0.5 kg of PLA
- one epic printer failure at about 2/3 of the print of the pot (thanks to Joris for his quick repair !)
- … and one leaking hole in the spout because of that. :(
Altogether pretty ridiculous, so I’m gonna go back to my model and optimize it … in a lot of ways.
Video of the actual pouring coming soon in an extra video post.
/ teapot by me Ultimaker 3D Newell Cura Protospace Utrecht fablab FABFEST re404 Remko Siemerink Joris van Tubergen Utah 1975 70s 2012 2010s gcode PLA = the tags / Jul 18 th Wed = the permalink. / = the source / /
![Chromatic Induction 63 by Cruz-Diez, 1975.
Carlos Cruz-Diez
(Caracas, 1923) has lived and worked in Paris since 1960
His artistic roots reach back to the Movimiento Cinético [Kinetic Movement] of the 1950s and 1960s. As his thinking on the visual arts has evolved, his ideas have changed attitudes on how color is perceived in art. According to his artist’s statement, color is an autonomous reality, devoid of anecdotes, that evolves in real time and space with no need of form or support.
Carlos Cruz-Diez’s artistic proposal is based on eight research projects that reveal the myriad ways in which color behaves: Couleur Additive [Additive Color], Physichromie, Induction Chromatique [Chromatic Induction], Chromointerférence, Transchromie, Chromosaturation,Chromoscope, and Couleur dans l’espace [Color in Space].
src: http://www.cruz-diez.com/
oxane:
Carlos Cruz-Diez](http://25.media.tumblr.com/tumblr_m4imj8hwwH1qztrv0o1_500.jpg)
Chromatic Induction 63 by Cruz-Diez, 1975.
Carlos Cruz-Diez
(Caracas, 1923) has lived and worked in Paris since 1960
His artistic roots reach back to the Movimiento Cinético [Kinetic Movement] of the 1950s and 1960s. As his thinking on the visual arts has evolved, his ideas have changed attitudes on how color is perceived in art. According to his artist’s statement, color is an autonomous reality, devoid of anecdotes, that evolves in real time and space with no need of form or support.
Carlos Cruz-Diez’s artistic proposal is based on eight research projects that reveal the myriad ways in which color behaves: Couleur Additive [Additive Color], Physichromie, Induction Chromatique [Chromatic Induction], Chromointerférence, Transchromie, Chromosaturation,Chromoscope, and Couleur dans l’espace [Color in Space].
Carlos Cruz-Diez
/ geometry Op Art dizzy Carlos Cruz-Diez 1975 70s = the tags / May 25 th Fri = the permalink. / voodoovoodoo = the source / reblogged from : oxane : the infinite fragmented datawaves of oXane /
1975-1981 Opel Manta B1 (by Martin van Duijn)
/ blue car cars design vintage 1975 70s Opel Manta = the tags / May 10 th Thu = the permalink. / = the source / reblogged from : chromjuwelen : Chromjuwelen Web Finds /
